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Phil cook bandcamp3/26/2023 ![]() When this group of self-professed Jawbox superfans meekly asked Robbins if he’d be interested in producing their next album, his agreement lit an even bigger fire to the creative engines of a band already in hyperdrive. scene known not just for his bands, but for his stellar work as an engineer and producer. Robbins, a presence in the Washington D.C. On one of their many runs of shows, the band crossed paths with Jawbox’s J. ![]() The band hit the ground running upon forming four years earlier, churning out new material as fast as it could be put to tape and sharpening their performance chemistry with constant, nearly compulsive touring. We celebrate 25 years of Frame & Canvas with the first proper re-release of the album, not just newly remastered, but remixed from the original tapes.īy the time they were ready to track their third album in late 1997, Braid had become an unstoppable machine. In the small but growing circles of Midwestern emo of the late ‘90s, and all that would eventually ripple outward and upward from those circles, nothing was quite the same after this record. ![]() Released in April of 1998, Braid’s third studio album and first full-length with Polyvinyl wasn’t their first nor last important statement, but its urgency, precision, and non-stop rush of innovative ideas lined up perfectly with the time it was created in to effect a profound shift. Robbins and re-mastered by Dan Coutant (with vinyl mastering by Bob Weston).įrame & Canvas is a landmark. To celebrate its 25th anniversary, Frame & Canvas has been completely re-mixed by J. ".the quality of his songwriting and the easy assertiveness of the performances convince.Got caught kicking the canvas down i had plans but they never seemed to work out wide-eyed and on the lookout got caught tearing the whole thing down i was halfway done but then you know this painted scene could never leave me oh please believe me caught killing a camera now it seems calming and clear to hire a cast of kittens, the cats we've been kissing for the cameras we're lowering here got caught tearing the whole thing down i was halfway done but then we sang it for memphis: the new slang in frame and canvas just for the cameras when we are away we sing "never ever" this is where you must make up your mind should beauty be design this time? this time you decide cause we go with whatever we take our time got a cough my throat kills from singing my ears are ringing the stage is slowly sinking and we're all thinking the same thing let's not settle for satisfaction we are women and men of action let's stop clapping, let's start doing a dream for the teens and in-betweens and twenties yet unseen. "Saint Hilda's Faithless Boy gets better each time I listen to it." Watson's hearty vocal approach sounds utterly honest. Dig the swampy roots-rocker He Don't Love You, the serpentine The Bitter Suite, and the acoustic slide reading of My Love Will Never Die - leagues from Otis Rush's original stylistically, right there emotionally. ![]() Watson pops his guitar strings like Johnny 'Guitar' Watson on She Got It All, mines soulful, Robert Cray territory on Love Is An Ocean, and channels Howlin' Wolf in full, stomping intensity on A Desperate Man. "New Zealand's Darren Watson has crafted a beautiful album in Saint Hilda's Faithless Boy (Red Rocks Records), a set of backward-looking (but by no means retro) blues recorded with a bracing, contemporary sonic treatment. Prestigious US magazine Blues Revue says: ![]()
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